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LEGACYGEM, rough diamond jewelry collections and custom commissions

LEGACYGEM jewelry, worn Bespoke jewelry [Archive] 000 pieces

A bond, a career, a night that mattered: the things people treasure most rarely last. LEGACYGEM gives them a form that survives, from hand to hand, from life to life.

Every piece is made on private commission.

Papillon Ring, No. 001, worn on the hand

Nothing is sold from a case.

Papillon Bleu Ring, No. 002, worn on the hand
[01]  The ArchiveView the archive
Halo RingNo. 003

Made on a single private commission and archived on June 12, 2026.

Pear / 1.95 ct total / F / VS1

View piece
Halo Ring, No. 003, a pear diamond in a double halo, worn on the hand
[Archived]June 12, 2026
Carré PendantNo. 008

Made on a single private commission and archived on August 9, 2026.

Emerald cut / 1.10 ct total / G / VS1

View piece
Carré Pendant, No. 008, an emerald cut diamond on a gold chain, worn
[Archived]August 9, 2026
Halo EarringsNo. 004

Made on a single private commission and archived on June 12, 2026.

Pear / 1.60 ct pair / F / VS1

View piece
Halo Earrings, No. 004, pear diamond drops, worn
[Archived]June 12, 2026
Halo Ring, No. 003, a pear diamond in a double halo, worn on the hand Carré Pendant, No. 008, an emerald cut diamond on a gold chain, worn Halo Earrings, No. 004, pear diamond drops, worn
[Archived]June 12, 2026
[02]  OriginTrace a diamond

From the earth to your hands

On our diamond programs, every stone is graded, logged on Tracr, and matched to its origin through the GIA’s PROV-T service. That record travels with the piece in a certificate you can verify at any time.

LEGACYGEM certificate of origin

Almost everything people treasure is fragile.

A jewel holds what time would take, and carries it on.

It continues with you.

[03]  In the worldSee the collaborations
Strata · Okavango, a work on paper set with rough diamonds, framed

Made with

The house also makes works with artists beyond jewelry, and their stones are traced like every piece we set.

[04]  The House
Rough diamond held in tweezers
The house keeps the record, and the wearer keeps the memory.

Volumes

Each collection of the house is a volume, and a piece joins one the day it is finished.

Made with

What comes of working alongside artists and houses whose craft is not ours.

Browse by Volumes Made with
Discover Vol. III Vol. II Vol. I
Vol. III: Rough Diamond
2 4 8
Rough Ring I, No. 009, worn on the hand

Rough Ring I

No. 009

Rough Ring II, No. 010, worn on the hand

Rough Ring II

No. 010

Vol. II: Essential
Halo Earrings, No. 004, and Halo Pendant, No. 005, worn together
Halo Ring, No. 003, a pear diamond in a double halo, worn on the hand

Halo Ring

No. 003 · White gold, pear center, double halo

Halo Earrings, No. 004, pear diamond drops, worn

Halo Earrings

No. 004 · White gold, pavé hoops, pear drops

Halo Pendant, No. 005, a pear diamond on a fine chain, worn

Halo Pendant

No. 005 · White gold, pear pendant, fine chain

Carré Ring, Earrings and Pendant, Nos. 006 to 008, worn together
Carré Ring, No. 006, an emerald cut diamond in a double halo, worn on the hand

Carré Ring

No. 006 · Yellow gold, emerald cut, double halo

Carré Earrings, No. 007, emerald cut diamond drops, worn

Carré Earrings

No. 007 · Yellow gold, pavé hoops, halo drops

Carré Pendant, No. 008, an emerald cut diamond on a gold chain, worn

Carré Pendant

No. 008 · Yellow gold, halo pendant, fine chain

Vol. I: Butterfly
Papillon Ring, No. 001, worn on the hand
Papillon Ring, No. 001, worn on the hand

Papillon Ring

No. 001 · Gold, jade, diamonds, rubies

Papillon Bleu Ring, No. 002, worn on the hand

Papillon Bleu Ring

No. 002 · Anodized titanium, fancy diamonds

Strata · Okavango, a work on paper set with rough diamonds, framed
Annette Fernando2026

For Strata · Okavango, twenty-six rough diamonds were sliced by hand and set into four works on paper.

Works: Strata · Okavango I to IV

Stones: 26 rough diamonds, 19.88 ct total

Source: Okavango Diamond Company, Botswana

View collaboration

Archive / Vol. I Papillon Bleu Ring, No. 002
Papillon Ring, No. 001, worn on the hand
Papillon Ring, No. 001, worn on the hand
Papillon Ring, No. 001, worn on the hand

LEGACYGEM ©

Papillon Ring  [No. 001]

March 4, 2026

Vol. I: Butterfly

Each wing is carved from a single piece of jade, held in gold pierced and chased by hand and followed along every edge with diamonds. Two pear-cut diamonds sit at the body, and the flowers gathered at the base carry rubies, garnets and a single orange sapphire. Fourteen weeks at the bench, most of them spent on the piercing.

Record

Metal18k gold, 37.38 g
CutRound brilliant, pear, pavé set
Jade32.57 ct
Diamonds4.19 ct
Garnets1.96 ct
Rubies1.50 ct
Orange sapphire0.16 ct
Total40.38 ct
ClarityVS1
OriginTraced
Inquire about this piece

No. 001. Continues with you.

Also in the archive ←→ View the archive
Papillon Bleu Ring, No. 002, worn on the hand

Papillon Bleu Ring

No. 002 · Anodized titanium, fancy diamonds

Halo Ring, No. 003, a pear diamond in a double halo

Halo Ring

No. 003

Halo Earrings, No. 004, pear diamond drops

Halo Earrings

No. 004

Halo Pendant, No. 005, a pear diamond on a chain

Halo Pendant

No. 005

Carré Ring, No. 006, an emerald cut diamond

Carré Ring

No. 006

Carré Earrings, No. 007, emerald cut diamonds

Carré Earrings

No. 007

Carré Pendant, No. 008, an emerald cut diamond

Carré Pendant

No. 008

Rough Ring I, No. 009, worn on the hand

Rough Ring I

No. 009

Rough Ring II, No. 010, worn on the hand

Rough Ring II

No. 010

Archive / Vol. I Halo Ring, No. 003
Papillon Bleu Ring, No. 002, worn on the hand
Papillon Bleu Ring, No. 002, worn on the hand
Papillon Bleu Ring, No. 002, worn on the hand

LEGACYGEM ©

Papillon Bleu Ring  [No. 002]

April 3, 2026

Vol. I: Butterfly

The wings are titanium, anodized so the blue comes from current passed through the metal rather than from any pigment or coating. Fancy diamonds run across them in graded tones, from yellow through cognac to black, and the three stones at the center, brown through olive, were chosen first: everything else was built around them.

Record

MetalAnodized titanium, 18k gold settings, 55.10 g
CutRound brilliant and pear, pavé set
Diamonds13.82 ct
Fancy diamonds1.57 ct
Black diamonds0.94 ct
Total16.33 ct
ClarityVS1
CenterThree diamonds, pear and round, fancy brown to olive
OriginTraced
Inquire about this piece

No. 002. Continues with you.

Also in the archive ←→ View the archive
Halo Ring, No. 003, a pear diamond in a double halo

Halo Ring

No. 003

Halo Earrings, No. 004, pear diamond drops

Halo Earrings

No. 004

Halo Pendant, No. 005, a pear diamond on a chain

Halo Pendant

No. 005

Carré Ring, No. 006, an emerald cut diamond

Carré Ring

No. 006

Carré Earrings, No. 007, emerald cut diamonds

Carré Earrings

No. 007

Carré Pendant, No. 008, an emerald cut diamond

Carré Pendant

No. 008

Rough Ring I, No. 009, worn on the hand

Rough Ring I

No. 009

Rough Ring II, No. 010, worn on the hand

Rough Ring II

No. 010

Papillon Ring, No. 001, worn on the hand

Papillon Ring

No. 001 · Gold, jade, diamonds, rubies

Halo Ring, No. 003

Archive / Vol. II Halo Earrings, No. 004
Halo Ring, No. 003, a pear diamond in a double halo, worn on the hand
Halo Earrings, No. 004, and Halo Pendant, No. 005, worn together

LEGACYGEM ©

Halo Ring  [No. 003]

June 12, 2026

Vol. II: Essential

Made on a single private commission for an anniversary. The pear was chosen first and the ring was built to it, with two halos and a pavé band that carries the light around the finger. Completed over eleven weeks, together with the earrings and the pendant that share its record.

Record

Metal18k white gold
CutPear center, double halo, pavé band
Center stonePear, 1.20 ct
Size9.0 × 5.9 mm
Carat weight1.95 ct total
Color gradeF
ClarityVS1
OriginTraced
Inquire about this piece

No. 003. Continues with you.

Also in the archive ←→ View the archive
Halo Earrings, No. 004, pear diamond drops

Halo Earrings

No. 004

Halo Pendant, No. 005, a pear diamond on a chain

Halo Pendant

No. 005

Carré Ring, No. 006, an emerald cut diamond

Carré Ring

No. 006

Carré Earrings, No. 007, emerald cut diamonds

Carré Earrings

No. 007

Carré Pendant, No. 008, an emerald cut diamond

Carré Pendant

No. 008

Rough Ring I, No. 009, worn on the hand

Rough Ring I

No. 009

Rough Ring II, No. 010, worn on the hand

Rough Ring II

No. 010

Papillon Ring, No. 001, worn on the hand

Papillon Ring

No. 001 · Gold, jade, diamonds, rubies

Papillon Bleu Ring, No. 002, worn on the hand

Papillon Bleu Ring

No. 002 · Anodized titanium, fancy diamonds

Archive / Vol. II Halo Pendant, No. 005
Halo Earrings, No. 004, worn
Halo Earrings, No. 004, worn
Halo Earrings, No. 004, pear diamond drops, worn
Halo Earrings, No. 004, and Halo Pendant, No. 005, worn together

LEGACYGEM ©

Halo Earrings  [No. 004]

June 12, 2026

Vol. II: Essential

Two pears matched for color and outline, hung from pavé hoops so the drop moves with the wearer. Made alongside the ring and the pendant, on the same commission and from the same parcel of stones.

Record

Metal18k white gold
CutPear drops, double halo, pavé hoops
Center stonesPear, 0.55 ct each, matched pair
Size7.0 × 4.5 mm each
Carat weight1.60 ct total
Color gradeF
ClarityVS1
OriginTraced
Inquire about this piece

No. 004. Continues with you.

Also in the archive ←→ View the archive
Halo Pendant, No. 005, a pear diamond on a chain

Halo Pendant

No. 005

Carré Ring, No. 006, an emerald cut diamond

Carré Ring

No. 006

Carré Earrings, No. 007, emerald cut diamonds

Carré Earrings

No. 007

Carré Pendant, No. 008, an emerald cut diamond

Carré Pendant

No. 008

Rough Ring I, No. 009, worn on the hand

Rough Ring I

No. 009

Rough Ring II, No. 010, worn on the hand

Rough Ring II

No. 010

Papillon Ring, No. 001, worn on the hand

Papillon Ring

No. 001 · Gold, jade, diamonds, rubies

Papillon Bleu Ring, No. 002, worn on the hand

Papillon Bleu Ring

No. 002 · Anodized titanium, fancy diamonds

Halo Ring, No. 003, a pear diamond in a double halo

Halo Ring

No. 003

Archive / Vol. II Carré Ring, No. 006
Halo Pendant, No. 005, a pear diamond on a fine chain, worn
Halo Pendant, No. 005, worn
Halo Earrings, No. 004, and Halo Pendant, No. 005, worn together

LEGACYGEM ©

Halo Pendant  [No. 005]

June 12, 2026

Vol. II: Essential

The last of the three, cut from the same parcel and set to sit just below the collarbone. The chain is deliberately thin, so that at a distance only the stone reads.

Record

Metal18k white gold
CutPear center, double halo
Center stonePear, 0.70 ct
Size7.3 × 4.8 mm
Carat weight1.05 ct total
Color gradeF
ClarityVS1
ChainWhite gold, 45 cm
OriginTraced
Inquire about this piece

No. 005. Continues with you.

Also in the archive ←→ View the archive
Carré Ring, No. 006, an emerald cut diamond

Carré Ring

No. 006

Carré Earrings, No. 007, emerald cut diamonds

Carré Earrings

No. 007

Carré Pendant, No. 008, an emerald cut diamond

Carré Pendant

No. 008

Rough Ring I, No. 009, worn on the hand

Rough Ring I

No. 009

Rough Ring II, No. 010, worn on the hand

Rough Ring II

No. 010

Papillon Ring, No. 001, worn on the hand

Papillon Ring

No. 001 · Gold, jade, diamonds, rubies

Papillon Bleu Ring, No. 002, worn on the hand

Papillon Bleu Ring

No. 002 · Anodized titanium, fancy diamonds

Halo Ring, No. 003, a pear diamond in a double halo

Halo Ring

No. 003

Halo Earrings, No. 004, pear diamond drops

Halo Earrings

No. 004

Archive / Vol. II Carré Earrings, No. 007
Carré Ring, No. 006, an emerald cut diamond in a double halo, worn on the hand
Carré Ring, Earrings and Pendant, Nos. 006 to 008, worn together
Carré Ring, No. 006, worn with the Carré Earrings and Carré Pendant

LEGACYGEM ©

Carré Ring  [No. 006]

August 9, 2026

Vol. II: Essential

Made on a single private commission. A step-cut square held in two square halos, so the outline stays architectural from every angle. The band is pavé set and deliberately thin, to keep the head reading as one block of light.

Record

Metal18k yellow gold
CutEmerald cut, double halo, pavé band
Center stoneEmerald cut, 1.05 ct
Size6.9 × 4.9 mm
Carat weight1.80 ct total
Color gradeG
ClarityVS1
OriginTraced
Inquire about this piece

No. 006. Continues with you.

Also in the archive ←→ View the archive
Carré Earrings, No. 007, emerald cut diamonds

Carré Earrings

No. 007

Carré Pendant, No. 008, an emerald cut diamond

Carré Pendant

No. 008

Rough Ring I, No. 009, worn on the hand

Rough Ring I

No. 009

Rough Ring II, No. 010, worn on the hand

Rough Ring II

No. 010

Papillon Ring, No. 001, worn on the hand

Papillon Ring

No. 001 · Gold, jade, diamonds, rubies

Papillon Bleu Ring, No. 002, worn on the hand

Papillon Bleu Ring

No. 002 · Anodized titanium, fancy diamonds

Halo Ring, No. 003, a pear diamond in a double halo

Halo Ring

No. 003

Halo Earrings, No. 004, pear diamond drops

Halo Earrings

No. 004

Halo Pendant, No. 005, a pear diamond on a chain

Halo Pendant

No. 005

Archive / Vol. II Carré Pendant, No. 008
Carré Earrings, No. 007, emerald cut diamond drops, worn
Carré Earrings, No. 007, worn with the Carré Ring
Carré Ring, Earrings and Pendant, Nos. 006 to 008, worn together

LEGACYGEM ©

Carré Earrings  [No. 007]

August 9, 2026

Vol. II: Essential

Two step-cut squares matched for color and proportion, hung from pavé hoops so the drop sits just clear of the jaw. Made on the same commission as the ring and the pendant, from a single parcel of stones.

Record

Metal18k yellow gold
CutEmerald cut drops, double halo, pavé hoops
Center stonesEmerald cut, 0.50 ct each, matched pair
Size5.2 × 3.8 mm each
Carat weight1.55 ct total
Color gradeG
ClarityVS1
OriginTraced
Inquire about this piece

No. 007. Continues with you.

Also in the archive ←→ View the archive
Carré Pendant, No. 008, an emerald cut diamond

Carré Pendant

No. 008

Rough Ring I, No. 009, worn on the hand

Rough Ring I

No. 009

Rough Ring II, No. 010, worn on the hand

Rough Ring II

No. 010

Papillon Ring, No. 001, worn on the hand

Papillon Ring

No. 001 · Gold, jade, diamonds, rubies

Papillon Bleu Ring, No. 002, worn on the hand

Papillon Bleu Ring

No. 002 · Anodized titanium, fancy diamonds

Halo Ring, No. 003, a pear diamond in a double halo

Halo Ring

No. 003

Halo Earrings, No. 004, pear diamond drops

Halo Earrings

No. 004

Halo Pendant, No. 005, a pear diamond on a chain

Halo Pendant

No. 005

Carré Ring, No. 006, an emerald cut diamond

Carré Ring

No. 006

Archive / Vol. II
Carré Pendant, No. 008, an emerald cut diamond on a gold chain, worn
Carré Ring, Earrings and Pendant, Nos. 006 to 008, worn together

LEGACYGEM ©

Carré Pendant  [No. 008]

August 9, 2026

Vol. II: Essential

The third of the set, on a gold chain cut short enough to sit high on the chest. The bail is pavé set so the piece reads as one line from the chain down through the stone.

Record

Metal18k yellow gold
CutEmerald cut, double halo, pavé bail
Center stoneEmerald cut, 0.65 ct
Size5.8 × 4.2 mm
Carat weight1.10 ct total
Color gradeG
ClarityVS1
ChainYellow gold, 42 cm
OriginTraced
Inquire about this piece

No. 008. Continues with you.

Also in the archive ←→ View the archive
Rough Ring I, No. 009, worn on the hand

Rough Ring I

No. 009

Rough Ring II, No. 010, worn on the hand

Rough Ring II

No. 010

Papillon Ring, No. 001, worn on the hand

Papillon Ring

No. 001 · Gold, jade, diamonds, rubies

Papillon Bleu Ring, No. 002, worn on the hand

Papillon Bleu Ring

No. 002 · Anodized titanium, fancy diamonds

Halo Ring, No. 003, a pear diamond in a double halo

Halo Ring

No. 003

Halo Earrings, No. 004, pear diamond drops

Halo Earrings

No. 004

Halo Pendant, No. 005, a pear diamond on a chain

Halo Pendant

No. 005

Carré Ring, No. 006, an emerald cut diamond

Carré Ring

No. 006

Carré Earrings, No. 007, emerald cut diamonds

Carré Earrings

No. 007

Archive / Vol. III
Rough Ring I, No. 009, seen from above
Rough Ring I, No. 009, worn on the hand
Rough Ring I, No. 009, a close view of the rough diamond held between the two ends of the polished band
Rough Ring I, No. 009, the polished gold band standing, with its shadow

LEGACYGEM ©

Rough Ring I  [No. 009]

September 30, 2026

Vol. III: Rough Diamond

A 1.34 carat natural rough diamond, uncut and unpolished, sits in a gold tension setting. The two ends of the band never meet, and the pressure of the gold alone holds the stone exactly as it came out of the ground. Graded of the first water, the oldest term in gemology for a diamond this clean, it is one of a kind.

Record

MetalGold
CutUncut rough
SettingGold tension setting
Carat weight1.34 ct
GradingOf the first water
OriginBotswana
Made inNorway
Inquire about this piece

No. 009. Continues with you.

Also in the archive ←→ View the archive
Rough Ring II, No. 010, worn on the hand

Rough Ring II

No. 010

Papillon Ring, No. 001, worn on the hand

Papillon Ring

No. 001 · Gold, jade, diamonds, rubies

Papillon Bleu Ring, No. 002, worn on the hand

Papillon Bleu Ring

No. 002 · Anodized titanium, fancy diamonds

Halo Ring, No. 003, a pear diamond in a double halo

Halo Ring

No. 003

Halo Earrings, No. 004, pear diamond drops

Halo Earrings

No. 004

Halo Pendant, No. 005, a pear diamond on a chain

Halo Pendant

No. 005

Carré Ring, No. 006, an emerald cut diamond

Carré Ring

No. 006

Carré Earrings, No. 007, emerald cut diamonds

Carré Earrings

No. 007

Carré Pendant, No. 008, an emerald cut diamond

Carré Pendant

No. 008

Archive / Vol. III
Rough Ring II, No. 010, the hammered gold band on a stand
Rough Ring II, No. 010, worn on the hand
Rough Ring II, No. 010, seen from the side, the rough diamond between the two ends of the band
Rough Ring II, No. 010, the hammered gold band standing, the rough diamond held between its two ends
Rough Ring II, No. 010, seen from the front, the rough diamond crystal between the two ends of the hammered band

LEGACYGEM ©

Rough Ring II  [No. 010]

October 7, 2026

Vol. III: Rough Diamond

A 1.13 carat natural rough diamond octahedron sits on a hand-hammered gold band, every face untouched. The small triangles on its surface are trigons, etched deep within the Earth as the diamond formed and rose. Graded sawable, clean enough to be cut into two polished diamonds, it was kept whole, and the ring is one of a kind.

Record

MetalHand-hammered gold
CutUncut rough octahedron
Carat weight1.13 ct
GradingSawable
OriginBotswana
Made inNorway
Inquire about this piece

No. 010. Continues with you.

Also in the archive ←→ View the archive
Papillon Ring, No. 001, worn on the hand

Papillon Ring

No. 001 · Gold, jade, diamonds, rubies

Papillon Bleu Ring, No. 002, worn on the hand

Papillon Bleu Ring

No. 002 · Anodized titanium, fancy diamonds

Halo Ring, No. 003, a pear diamond in a double halo

Halo Ring

No. 003

Halo Earrings, No. 004, pear diamond drops

Halo Earrings

No. 004

Halo Pendant, No. 005, a pear diamond on a chain

Halo Pendant

No. 005

Carré Ring, No. 006, an emerald cut diamond

Carré Ring

No. 006

Carré Earrings, No. 007, emerald cut diamonds

Carré Earrings

No. 007

Carré Pendant, No. 008, an emerald cut diamond

Carré Pendant

No. 008

Rough Ring I, No. 009, worn on the hand

Rough Ring I

No. 009

Archive / Made with

Strata · Okavango, 2026

Made with Annette Fernando, around twenty-six rough diamonds from the Okavango.

19.88 ct total · 4 works · Okavango Diamond Company, Botswana

Strata · Okavango is the first artistic collaboration of the house. Annette Fernando conceived the imagery, painted each work, and signs it as the artist of record, while LEGACYGEM brought the concept and the stones.

Each stone was sliced by hand and set into the surface of the works, so the diamonds are not depicted but physically present, and every one of them can be followed on Tracr from the earth to the work it belongs to.

Annette Fernando
Strata · Okavango, The Earth, by Annette Fernando, set with rough diamond slices
The Earth

The first work shows a single rough diamond resting in its kimberlite, the volcanic rock that carried it up from the mantle. The white grain across the painted ground is made of smaller rough diamonds from the same earth.

Strata · Okavango, The Geometry, by Annette Fernando, set with rough diamond slices
The Geometry

The second work turns from realism to the geometry of nature. Its triangular form is a macle, a twin crystal in which two diamonds fuse into one, and the pale flecks across its surface are real rough diamond slices.

Strata · Okavango, The Plural, by Annette Fernando, set with rough diamond slices
The Plural

The third work is the most populated of the series, a close and dense field of rough stones gathered on a single surface. The one becomes the many, and every fragment set into the paper is a real diamond.

Strata · Okavango, The Sculpture, by Annette Fernando, set with rough diamond slices
The Sculpture

The fourth work closes the series where it began, with the stone itself as the subject: here the material is not the setting but the point, and its record is kept with the other three.

Inquire about this collaboration
The journey of our diamonds Selection Planning Cutting Certification The provenance
01 Selection

Everything starts with a single stone, long before a sketch exists. With diamonds we can follow that stone all the way to the mine it came from. With emeralds and rubies we choose instead for the depth of color and the rarity that no two share.

diamondsTraceable to the mine
colorChosen for depth and rarity
the ruleStone first, always
02 Planning

A rough is mapped in three dimensions before a single facet is touched. This is where the hardest choices are made, since every carat saved for brilliance is a carat given up in size. One reading of the stone decides the whole piece.

mappingRead in three dimensions
the trade-offWeight against brilliance
yieldOne plan, no second cut
03 Cutting

Now the plan meets the wheel. Each facet is placed by hand and by eye, at angles measured to a fraction of a degree, until the stone stops hiding its light and starts returning it. This is the moment a rough becomes a diamond.

facetsPlaced to a fraction of a degree
by handCut and polished on the wheel
resultLight returned, not absorbed
04 Certification

Anyone can call a stone rare. We would rather it be provable. Each diamond is graded and logged on a register we do not control, so the person who owns it can confirm what it is, and where it came from, without taking our word for any of it.

graded byDe Beers Institute of Diamonds, Sarine
registered onTracr, beyond our reach
origin byGIA PROV-T, stone by stone
yours to checkAnytime, by its ID

A jewel built to outlast its owner needs proof that outlasts it too.

[05]  Provenance Botswana · Debswana · Okavango Diamond Company

Part of our rough is mined in Botswana by Debswana, an equal partnership between the Government of the country and De Beers, and bought through the Okavango Diamond Company, owned outright by the state.

ODC sells its share on an open bidding platform, so the price a stone is bought at and the route it travels are both a matter of record rather than of trust.

LEGACYGEM certificate of origin

Certificate of originissued with every stone

Baobab trees on the savanna

Formed 3.2 billion years ago, 200 kilometers under the earth at 50,000 atmospheres of pressure, and followed on Tracr, a blockchain register for the diamond industry, from the moment it leaves the ground.

The sourceBotswana, leading producer by value

TraceabilityOkavango Diamond Company · Tracr

[06]  Legacy Where each stone returns
Families in Botswana

CommunitiesBotswana, independent since 1966

A classroom in Botswana

Schoolsfree education, decades of it

Workers in Botswana

Workroads, housing, utilities

Our Botswana stones come from four mines, Jwaneng, Orapa, Letlhakane, and Damtshaa, worked under the Kimberley Process, conflict free, with hospitals, schools, and housing built around them.

Decades of free education, and the paved roads that connect the country, were funded by stones like these.

A city in Botswana, seen from above
80%  reinvested

Around 80 percent of the revenue from Debswana diamonds is reinvested in Botswana, in its schools, hospitals, and roads.

Rough diamond held in tweezers
Almost everything people treasure is fragile, but a legacy should not be.

A graded card is paper, a trophy is plated, a career ends, and a night is over by morning. LEGACYGEM exists to give those things a form that survives.

The beginning

LEGACYGEM was born from stone knowledge, and from access to material most houses never see. That inheritance comes from a family business in the diamond trade, and from the working end of the diamond, jewelry, watch, and luxury trades in Antwerp, Mumbai, Dubai, Hong Kong, Tokyo, and Paris.

A piece begins as a stone, and the design is built to it. We never force what the stone will not allow.

The materials

It is built to outlast you.

Diamond is the hardest natural material on earth, and gold does not corrode. They are the only materials that reliably outlive the people who own them, and they are the reason the house exists.

The work

It can mark anything that matters.

What the house makes permanent changes with every project: a bond, a career, an obsession, a night that mattered. The craft behind a matched pair of diamonds and a championship ring is the same, and so is the standard it is held to.

The promise

It continues with you.

The stone was here long before its owner and will be here long after. A jewel is made so that what it marks can carry on, and the legacy it continues is always the wearer’s. The house keeps the record, and the wearer keeps the memory.

The record

It is recorded, forever.

A jewel built to outlast its owner needs a record that outlasts it too. Tracr, the GIA’s PROV-T service, and the certificates we co-sign with our partners are part of the promise.

The story behind2026

Archive: the record of every jewel the house has made.

LEGACYGEM jewels are designed for a life that has already made its mark. Whether understated or bold enough to turn heads from one end of the room to the other, everyone wants the only one there is.

Halo Ring, No. 003, a pear diamond in a double halo, worn on the hand
View the piece
Papillon Bleu Ring, No. 002, worn on the hand

Papillon Bleu Ring
No. 002

Butterfly reference for the Papillon Bleu Ring, No. 002

Vol. I: Butterfly
No. 002

Papillon Ring, No. 001, worn on the hand

Papillon Ring
No. 001

Butterfly reference for the Papillon Ring, No. 001

Vol. I: Butterfly
No. 001

The making

Commission a piece.

Setting is our craft, and the bench is where we started. The stone decides the piece, the client approves it in render, and only then is it built. Nothing is made speculatively.

From the archive

Order a design from our archive, made for you across a range of sizes. The design can be repeated, but the stone at its center never is.

Made with us

Create a jewel from scratch with our team, built around a single stone for a single person. Every piece of this kind exists once, and only for you.

Start an inquiry

Contact

Tell us what you have in mind and we will reply personally, usually within two days, to arrange a private conversation.

Write to us at the address below with what you have in mind, when you would like it, and any reference images you have. A person will answer, usually within two days, to arrange a private conversation.

Write to us

concierge@legacygem.com

@legacygemofficial

Privacy Policy

Last updated September 15, 2026

What we collect

What you write to us: your name, your email, what you would like to make, when you would like it, and any reference images you attach. If a commission goes ahead, we also keep the record of the piece itself, which is what allows the archive to exist.

Why we keep it

To answer you, to prepare and make the piece, to hold its record in the archive, and for nothing else: we do not sell your data, we do not advertise, and we do not profile you.

Who else sees it

Only the people needed to make and deliver a piece, and only what they need. The stone's traceability record follows the diamond, not you.

How long we hold it

An inquiry that leads nowhere is deleted on request, or after twenty-four months. The record of a finished piece stays in the archive, because that is the point of it.

Your rights

You can ask for a copy of what we hold, ask us to correct it, or ask us to delete it. Write to concierge@legacygem.com and a person will answer.

Cookie Policy

Last updated September 15, 2026

What we use

Nothing. This site sets no cookies at all, and stores nothing in your browser: no advertising cookies, no profiling, and no tracking across other sites.

Measurement

This site currently sets no analytics cookies. If that changes, the tool will be named here, and it will count visits without identifying you.

Third parties

The typeface Neue Haas Grotesk is served by Adobe Fonts, which counts page views but sets no cookies. Nothing else on this site loads content from anyone else.

Your choices

You can block or delete cookies in your browser settings. The site keeps working without them.

Terms of Service

Last updated September 15, 2026

Commissions

Every piece is made to order on private commission. Nothing begins until the design, the stone, the price and the timing are confirmed in writing between us.

Prices and payment

Each commission is quoted on its own, since each stone is its own. Terms of payment are set out in that quotation. A commission is confirmed with a deposit of fifty percent of the agreed price, and the balance is due before delivery.

Delivery

Pieces are delivered by insured, tracked carrier or handed over in person. Pieces travel fully insured, and duties and taxes are quoted before dispatch.

Certification and archive

Every piece leaves the house with its certificate and enters the archive with its number. Those records stay with the piece for as long as it exists.

Returns and repairs

A commissioned piece is not returnable as a stock item. Every piece is covered against manufacturing faults, and the house handles repairs and resizing directly.

What belongs to us

The designs, the photographs and the archive records are ours. The piece, once paid for, is entirely yours.

Law

These terms are governed by the law of Hong Kong, and any dispute goes before its courts.